In my paper, I discussed how, when reading the poems themselves and considering the circumstances in which they were created, a modern-day audience would think that the young children lived on the very idea that their poems would one day be read by others. However, because we were not present during the act of their writing, nor did we get the chance to question their authorial intent, we as a present-day post-Holocaust audience, will never have the authority to answer this question. Frustrating, huh?
Indeed, after writing this paper, I still cannot wrap my head around what Benjamin's quote means for writers. I can assume that, as a writer himself, he considered that his words would one day be read by a future audience (several of his articles and essays were published during his lifetime), and I understand that he is discussing the constraints that can come along with writing with a type of audience in mind; when we do not consider a particular audience, we can write free, unbridled meditations. Perhaps Emily Dickinson is a prime example of this notion. Although she gave her poems to others as gifts and her poems were read by others during her lifetime, she writes countless poems about the diminishing factor that publishing can cause for great art. Once such poem is called "Fame:"
Fame is a fickle food
Upon a shifting plate
Whose table once a
Guest but not
The second time is set
Whose crumbs the crows inspect
And with ironic caw
Flap past it to the
Farmer’s corn
Men eat of it and die.Returning to Benjamin's quote, he too greatly emphasizes the "unfruitful" art that can arise when one does consider an audience.
It made me question why I, myself, write. I can say that having had this blog for a few months now, I write a little more deliberately, knowing that others will possibly stumble onto these words and read them. However, I have found that in having a place where I can freely publish my thoughts and words, my poetry-writing has decreased tremendously in the last few months (this could also be due to the fact that I've not had too many bouts with insomnia lately, which is when I usually write poems). This pattern could be unrelated to the presence of this blog, but it is certainly disheartening to myself as a poet. Perhaps, in order to write (and create "fruitful art," as Benjamin writes) we must first step away from the need to publish and write merely to write.
Now I know in the case of the children writing during the Holocaust, their reasons for writing were very different from mine and many present-day writers. All theories questioning the motivations behind writing during the Holocaust point to three basic reasons: writing as resistance, writing for survival, and writing to remember. These are all very probable reasons for why these young children were writing, along with the fact that their teacher, Friedl Dicker-Brandeis, gave them small assignments and art lessons in a small school-like setting of the camp. It's hard for me to believe that these children were only writing in response to assignments, however, because they depict the events occurring around them with such urgency and detail. But like I mentioned above, we can never know for sure to whom, or for whom, or with what intention they were writing.
So, this is a question for my fellow writers, poets, and bloggers (another experiment if you will)...why do you write? Do you consider any type of audience or do you have to step away from your knowledge that others will/can perhaps read your words?
Interesting question: perhaps it is helpful to make a distinction here (I've found this is the general means by which I 'answer' questions without answering them btw):
ReplyDeleteThere is a difference between writing something 'for' an audience and writing something with the knowledge that an audience will see this.
To answer the question from my experience: I wrote a lot more last year (when I was out of school and going through drastic mood swings, wondering how to react) and it was usually tied to insomnia. It is in writing that I get some ideas worked out on paper that (though usually reactionary) orders my thoughts - it makes me feel like I have a handle on things. Secondly, I've come to realize that I really love good dialogue about ideas. I like to hear how other people think and what they think.
Were I to extrapolate: if I were to go through something so horrible as the Holocaust I can only imagine that that horror will have to find expression. Jumping along the line a little, expression is best when it is truly focused on the idea and not on the audience.
So, there has to be some balance. When we tailor words to meet the ears of others it is likely that we will smooth over some edges and perhaps lose sight of the initial inspiration in favor of speaking to another. I guess what I'm suggesting is that when I write 'for' someone else I try to take that picture that appeared in the left-sphere of my brain and try to communicate it through the right.
This is my general conclusion that isn't a conclusion: there has to be a way to balance the two. There has to be a way to communicate without losing the purity of thought and without glorifying my mind over another's.
It does seem to me that it is better to write because "I'm inspired by x" than to write because "I have a blog or a paper due or insert z reason for why I 'should' write". Somehow the two should converge; Lewis started with pictures and Tolkien started with names - neither started with concerns for an audience.
Josiah -
ReplyDeleteThank you for participating! I am always happy to read your reactions and comments! Here was my favorite quote from above:
"There has to be a way to communicate without losing the purity of thought and without glorifying my mind over another's. "
I really like how you distinguished between the purity of thoughts and the "glorifying" one's mind over another! Very interesting! I'd never really thought about it in those terms before. But it is almost as if Dickinson felt it was somewhat impure to publish or share works with others (even though she shared with friends...I guess she felt that didn't count as much!)
I know myself, I think long and hard before I push "publish" on my blog because it's as if I'm "sending it out into the void," to quote from my fav movie, "You've Got Mail." The idea that others can then see my words and, in a sense, hear my very thoughts seems almost dangerous and it's as if we are stripping ourselves of our own skins for others to look upon (well if you're writing about important things). In this technologically confessional age that we are in where everyone is updating their facebook statuses more than they greet a stranger on the street, it's as if we are obsessed with letting people know what we're doing and where and why. So perhaps our "reasons" for writing has changed with the times.
Like you, I have no conclusion, but I also enjoyed your inclusion of Lewis and Tolkien!
jade
P.S. Sorry it took so long for me to write...no internet access : (
Jade,
ReplyDeleteaye 't was a good question. My tendency is to accept the limitation of communication. I find that I'm never satisfied with what I would want to write - I mean with the transmission of the idea. Too many things stay on the shelf for me.
Writing is a personal thing for me, but I don't normally wait for the thought to be fully formed before I send it out. I try to keep it centered on reacting to one author or idea so that I have room to change. This seems to work alright for what I use it for (taking a cursory glance at a meaningful topic without having to say something final to it). I expect that it's different for created works: for writing poetry or story. I've dabbled very little in these and would find it very difficult to release such things because my imagination is a very personal thing. I can admit that an idea that I had posed was outright wrong or poorly transmitted. While this is somewhat personal (because they are at some level thoughts that I've entertained), it is not nearly as personal as the imaginative. There's a different level of nakedness - for me it would be because I am not fully aware of what led me to write a story with this character and not that one.
Tolkien's Middle Earth was a way in which he tried to make sense of the Northern myths and to translate their beauty. Transmitting it was a painful process. Lewis' Till We Have Faces was something that he tried to write while still a student and only was able to give birth to after meeting Joy. The process is such a fragile one. It makes me wonder how the great myth-makers handled this. Perhaps it helped to be in societies that were largely illiterate...at least in an aural culture we would have the author before us (and so each rendition would be slightly different).